The best new research on medieval clothing and textiles, drawing from a range of disciplines. The usual wide range of approaches to garments and fabrics appears in this tenth volume. Three chapters focus on practical matters: a description of the medieval vestments surviving at Castel Sant'Elia in Italy; a survey of the spread of silk cultivation to Europe before 1300; and a documentation of medieval colour terminology for desirable cloth. Two address social significance: the practice of seizing clothing from debtors in fourteenth-century Lucca, and the transformation of the wardrobe of Margaret Tudor, daughter of King Henry VII, upon her marriage to the king of Scotland. Two delve into artistic symbolism: a consideration of female headdresses carved at St Frideswide's Priory in Oxford, and a discussion of how Anglo-Saxon artists used soft furnishings to echo emotional aspects of narratives. Meanwhile, in an exercise in historiography, there is an examination of the life of Mrs. A.G.I. Christie, author of the landmark Medieval English Embroidery. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Michelle L. Beer, Elizabeth Coatsworth, Valija Evalds, Christine Meek, Maureen C. Miller, Christopher J. Monk, Lisa Monnas, Rebecca Woodward Wendelken

This monograph is based on a symposium held in the National Gallery, London which showed how Richard II's beliefs may have been expressed in the highly religious work, the Wilton Diptych, and how he aspired to equal in magnificence the royal figures of Europe, in particular Bohemia and France. Richard's love of material splendour from the rebuilding of Westminster Hall to his lavish expenditure on dress and gifts is argued in these essays. All the facets of the regal image are underpinned by experts in the history, sociology and artefacts of the period, who in their studies aim to bring out the political difficulties under which Richard was operating.